The auditorium buzzed with the expectant energy of parents and students, a sea of faces eager for the school’s annual concert. I stood backstage, a knot of anxiety tightening in my stomach. Jay, my prodigy, my star pupil, was nowhere to be found.
When I first met Jay, I was a fresh-faced music teacher, barely a week into my new role. The reality of wrangling a classroom of energetic children had quickly shattered my romanticized notions of teaching. I’d begun to question my career choice, wondering if I’d made a terrible mistake.
Then Jay sat at the piano. His small hands, seemingly too delicate for the instrument, moved with a surprising confidence. The music that flowed from him was breathtaking, a complex symphony that belied his age and lack of formal training. He was a natural, a raw talent that shone like a diamond in the rough.
I offered him private lessons, eager to nurture his gift. He hesitated, his eyes darting away, and eventually declined. I noticed his solitary nature, his avoidance of the other children, and a sense of unease settled within me. I suspected there was more to Jay’s quiet demeanor than met the eye.
Determined to help him, I offered to teach him without charge. Over the following weeks, we spent hours together, exploring the world of music. Jay absorbed knowledge like a sponge, mastering complex pieces with an almost uncanny speed. He was ready, more than ready, for his debut performance.
But on the day of the concert, he vanished. I searched frantically, my anxiety escalating with each passing minute. Finally, I found him huddled backstage, his small frame trembling, his eyes wide with fear.
“Jay, what’s wrong?” I asked, my voice gentle.
He whispered, his voice choked with terror, “I have to go on… before my father sees me!”
“Why?” I asked, confused. “Why wouldn’t your father want to see you play?”
His eyes widened, and he looked over my shoulder. I turned, and the breath hitched in my throat.
Standing at the entrance to the backstage area was a man I recognized all too well: Richard Thorne, the renowned concert pianist, a man whose name was synonymous with musical genius. He was also Jay’s father.
Richard Thorne was a legend, a figure I had admired from afar for years. His performances were legendary, his technique flawless. But his reputation was also marred by whispers of a cold, demanding perfectionism, a relentless pursuit of excellence that left little room for human frailty.
Suddenly, Jay’s fear, his reluctance to perform, his solitary nature, all made sense. He wasn’t just a talented child; he was the son of a musical titan, a man who likely held his son to impossibly high standards.
Richard’s gaze landed on Jay, and his expression was unreadable. He strode towards us, his presence filling the small backstage area.
“Jay,” he said, his voice low and commanding, “what are you doing here?”
Jay shrank back, his eyes filled with terror. “I… I was going to play,” he stammered.
Richard’s eyes narrowed. “You were going to play? Without my permission?”
“I… I wanted to,” Jay whispered.
Richard’s expression hardened. “You are not ready,” he said, his voice laced with disdain. “You are not even close.”
Jay’s shoulders slumped, his face crumpling with disappointment. I felt a surge of anger, a protective instinct rising within me.
“Richard,” I said, my voice firm, “Jay is incredibly talented. He’s been working hard, and he’s ready to share his gift.”
Richard turned to me, his eyes cold. “You presume to know my son better than I do?”
“I know he loves music,” I said, my voice unwavering. “And I know he deserves a chance to express himself.”
A tense silence filled the air. Richard’s gaze shifted back to Jay, and for a moment, I saw a flicker of something in his eyes, a hint of vulnerability.
“Jay,” he said, his voice softer, “if you truly want to play, then play. But you must understand, you will be judged. You will be compared. And you must be prepared for that.”
Jay looked at his father, his eyes filled with a mixture of fear and determination. He nodded, his small frame straightening.
“I’m ready,” he said, his voice barely a whisper, but filled with a quiet strength.
Richard stepped aside, allowing Jay to pass. Jay walked onto the stage, his footsteps echoing in the hushed auditorium. He sat at the piano, his hands trembling slightly.
Then, he began to play.
The music that filled the auditorium was breathtaking. It was Jay’s music, his interpretation, his soul poured into every note. It was not a perfect performance, not a flawless rendition of a master’s work. But it was beautiful, raw, and filled with a passion that resonated with every soul in the room.
When he finished, the auditorium erupted in applause. Richard Thorne stood at the back of the room, his face unreadable. But as Jay walked off the stage, Richard reached out and placed a hand on his son’s shoulder.
“You played well,” he said, his voice low. “But you can do better.”
Jay looked up at his father, his eyes filled with a quiet understanding. He nodded, a small smile playing on his lips. He knew that his journey had just begun, and he knew that he had the strength to face whatever challenges lay ahead. He had found his voice, and he would not be silenced.
Straight Family Man Prefers To Wear Skirts And Heels As He Believes ‘Clothes Have No Gender’
Mark Bryan is a robotics engineer who has been married for 11 years and has a daughter. He identifies as straight and chooses to dress unconventionally. Bryan is an American living in Germany, and he doesn’t believe that fashion has to be gendered. You can find Bryan wearing a skirt and heels to work or out anywhere else he goes on any given day.
Bryan said he doesn’t like how limited men’s choices are in the fashion department, especially when it comes to office attire. Men’s pants only come in a few colors, mostly black, gray, dark blue and the occasional pinstripe, and cuts.
The stylish dresser believes that if women are allowed to wear pants, men should be able to wear skirts and dresses as well. Bryan likes how skirts come in many styles and patterns – and many more colors – unlike men’s clothing.
Bryan prefers to mix traditional gender looks by wearing masculine attire on his top half, like a blazer and tie, and traditionally feminine attire on the bottom half. He will typically wear a pencil skirt and four-inch heels on the bottom.
Wearing high heels is no problem for Bryan. He first learned how to do it when his college girlfriend asked him to wear high heels while dancing with her so that they were on the same level. They continued this for over a year.
Bryan doesn’t let stereotypes or assumptions stop him from dressing in a way that brings him joy. He challenges expectations and does so unapologetically. Keep reading to hear what Bryan has to say about his fashion choices.
Bryan has a very clear idea about how he likes to dress. He told Bored Panda: “To me, clothes have no gender. I prefer skirts to dresses. Dresses don’t allow me to mix the genders. I prefer a ‘masculine’ look above the waist and a non-gendered look below the waist. It’s all about clothes having no gender.”
He continued: “I am old enough to remember that in school, the girls could not wear pants. Pants have now become a non-gendered article of clothing. So why can’t skirts and heels be non-gendered? Besides, men wore heels before women did. Maybe not today’s stiletto-style heels, but men did wear heels before women.”
Bryan is correct about that. High heels can look back on a long history. Although historians and archaeologists cannot date their invention clearly, they have been around at least since the 10th century. And they were not a fashion statement at first. No, the first recorded use of high heels was eminently practical: the Persian cavalry wore boots with heels, called a kalash or galesh, that made it easier for them to keep their feet inside their stirrups. This is, by the way, the same reason why cowboy boots have a small heel as well!
Since owning a horse was a sign of wealth, only well-off men could afford to wear these high-heeled boots. The use of them slowly spread across Europe, and high heels heels became one of the fashion signs of rich noblemen or traders. In fact, following the Great Schism of the Christian Church in the 11th century, even the pope wore high heels.
It wasn’t until several hundred years later that fashion slowly changed. During the 18th century, cultural concerns in Europe came up about the distinction between males and females and talk about what men and women should wear arose. This is the point in time where the belief that fashion is something effeminate and frivolous that “real men” shouldn’t care about hails from. Due to these changing beliefs, men largely abandoned high heels heels, as they were seen as impractical and mere accessories.
Bryan is one of the examples of how high-heels are slowly coming back as an accepted form of footwear for men. Although the engineer champions the option of wearing high-heeled shoes for men, he understands many people will look twice when they see him. He compares his style choices to someone who chooses to dye their hair bright colors. He explained:
“Take a person with bright green hair. Green hair is not normal. You look up and see this person, your mind tells you it’s a person with green hair, you think to yourself, that’s odd or interesting, then you go back to do what you were doing and don’t give it another thought. I believe this is the same when people see me in a skirt and heels.”
Bryan doesn’t have to struggle to find skirts and heels that fit him either. He wears a size 8 in skirts, and with smaller feet for a man, his shoe size in heels is 8.5. If you know a man who is considering trying out wearing heels and skirts too, Bryan suggests starting with a lower heel until you feel more comfortable walking in high heels.
What do you think of Mark Bryan’s style choices? Do you know any men who would try walking in high heels? Let us know, and be sure to send this along to your friends and family.
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