“I look at my role as being a friend of Canberra Hospital, I can bring some pleasure and happiness sometimes to people who are really in difficult times in their lives.”
With backing music from a Bluetooth speaker, Sayer croons his way around the cancer wards, making a human connection with everyone he comes across.
Canberra Region Cancer Centre Operations Manager Caroline McIntyre says Sayer’s visits are typically kept a surprise for patients and staff.
“He’s always come in so discreetly,” she says.
“Normally it’s just very quiet, he comes up in the back lift and says hello to literally everybody.
“Some of them are doing it tough, and to have a little bit of joy and light – it really gives them a lift.
“What makes me happy is to see people getting chemo on their feet dancing.”
Jamming with Jimi Hendrix, Countdown and the Troubadour
Originally a graphic designer by trade, English-born Leo Sayer rose to pop prominence in London in the late 1960s, as a singer-songwriter – and was soon adopted by Australia as an honorary son after his first tour here in 1974.
He went on to become an Australian citizen in 2009.
Sayer was a regular on ABC TV’s Countdown during the 70s and 80s, performing chart-toppers like “You Make Me Feel Like Dancing”, “When I Need You”, “More Than I Could Say” and “Orchard Road”.
He blushingly admits they were wild days – when he didn’t always live up to his “good-guy” public persona.
“It was mad, I mean, Top of the Pops in England, Countdown over here,” he says.
“You were mobbed by the fans, I remember being dragged out of a limousine the first tour that I came here, and then speaking to crazy people like Molly Meldrum on TV and trying to sort of like take it all in.”
It seems hard to believe – the petite, well-spoken singer, with a mane of curly hair that inspired changing his name from Gerard to Leo – beating off mobs of screaming fangirls.
Sayer circulated in superstar company, becoming close friends with former Beatles George Harrison and Paul McCartney, collaborating with Roger Daltrey of The Who, and even sharing a sly cigarette or two with John Lennon and Yoko Ono who had a flat above his design studio.
“I met Jimi Hendrix right at the start of his career. I actually jammed with him, playing the harmonica, and him playing the guitar,” he says.
Recalling his 1975 opening night at the famous Troubadour Club in Los Angeles, he looked up to see an intimidating line-up of fans in the front row.
“It was David Bowie, Elton John, and ‘The Fonz’ [Henry Winkler].”
Alongside them: John Cleese, Mick Jagger, Bernie Taupin, and comedian Marty Feldman.
“We never thought it would last, we were adapting to things around us, writing songs about things that are around us,” he says.
“And we thought they were only for our generation — so the amazing thing is my music’s become like a fine wine, where you lay it down and years later, it becomes a collector’s item.
“We’re in an age where the music that I make, young kids are actually latching onto it now, and they’re finding that that generation and that style of music we made is as current now as anything.”
Sayer’s health battles, still spreading hope at 76
Leo Sayer says his hospital charity work caps off a career dedicated to providing joy through music.
“It’s a nice piece of synchronicity really, because I was born in the grounds of a hospital in Shoreham by Sea in Sussex, near Brighton in England,” Mr Sayer said.
“I suppose I’ve always felt comfortable in hospitals and being around hospitals.
“Growing up, my dad was a hospital engineer, Mum was a nurse, my sister was a matron.”
Sayer has health struggles of his own, including three stents in his heart, which help him have a genuine connection to the hospital patients he entertains.
“[My music] is providing something that isn’t taking away from any of the treatment that’s going on. It’s providing something that’s just putting a smile on peoples’ faces.
“Music is communication and that’s what this is all about, we’re communicating, we’re making people feel better.
“We’re not healing people with music, but we are making them feel better about their healing.
“To sell out Canberra Hospital will do me fine.”
MY MOTHER-IN-LAW GOT A KITTEN AT 77 — AM I THE ONLY ONE WHO THINKS THIS IS A TERRIBLE IDEA?
The soft mewling sound echoed through the phone, a high-pitched, insistent cry that sent a fresh wave of frustration through me. “Isn’t she just the sweetest thing, darling?” my mother-in-law, Eleanor, cooed, her voice bubbling with an almost childlike delight.
I clenched my jaw, trying to keep my voice even. “She sounds… energetic,” I managed, picturing the tiny ball of fur wreaking havoc on Eleanor’s pristine living room.
Eleanor, at 77, had decided to adopt a kitten. A tiny, ginger terror named Clementine. And I, frankly, thought it was a terrible idea.
It wasn’t that I didn’t like cats. I did. But Eleanor was living alone, her health was… delicate, and the thought of her chasing after a hyperactive kitten filled me with dread.
“She’ll keep me active!” Eleanor had declared when she’d announced her new companion. “And I’ve been so lonely since Arthur passed.”
I’d tried to be diplomatic. “That’s wonderful, Eleanor,” I’d said, “but maybe a fish would be a better choice? Something a little less… demanding?”
She’d waved my suggestion away with a dismissive flick of her wrist. “Nonsense! Clementine is perfect. She’s my little companion.”
“Companion” was one word for it. “Chaos” was another.
Kittens were a whirlwind of claws and teeth, demanding constant attention, requiring frequent vet visits, and possessing an uncanny ability to find trouble. I could already envision Eleanor, her frail frame struggling to keep up with the kitten’s boundless energy, the inevitable accidents, the scratched furniture, the sleepless nights.
And then, there was the inevitable. What would happen when Eleanor’s health deteriorated? What would happen when she could no longer care for Clementine?
I knew the answer. I’d be the one left to pick up the pieces, to find a new home for the kitten, to deal with Eleanor’s heartbreak.
My husband, Michael, was no help. “She’s happy,” he’d said, shrugging. “Let her have her fun.”
“Fun?” I’d retorted. “She’s going to break a hip chasing that thing!”
But I was the only one who seemed to see the impending disaster. My friends, my family, even Eleanor’s bridge club, all thought it was a wonderful idea. “It’s keeping her young!” they’d chirp. “It’s giving her a purpose!”
I felt like I was living in a bizarre alternate reality, where everyone had lost their minds.
Weeks turned into months. Clementine grew into a mischievous young cat, a ginger blur that terrorized Eleanor’s houseplants and shredded her curtains. Eleanor, surprisingly, seemed to be thriving. She’d developed a newfound energy, a spring in her step that I hadn’t seen in years.
She’d joined an online cat forum, sharing photos and videos of Clementine’s antics. She’d even started taking her to a local cat café, where she’d made new friends.
One afternoon, I visited Eleanor, expecting to find chaos. Instead, I found her sitting on the sofa, Clementine curled up in her lap, purring contentedly. Eleanor looked radiant, her eyes sparkling with happiness.
“She’s been so good today,” she said, stroking Clementine’s soft fur. “We’ve been having a lovely afternoon.”
I watched them, a strange mix of emotions swirling within me. I’d been so convinced that this was a terrible idea, a recipe for disaster. But I’d been wrong.
Eleanor wasn’t just keeping Clementine; Clementine was keeping Eleanor. She was giving her a reason to get out of bed in the morning, a source of companionship, a spark of joy in her life.
I realized then that my concern, while well-intentioned, had been misplaced. I’d been so focused on the potential problems that I’d overlooked the simple truth: Eleanor was happy. And that, in the end, was all that mattered.
As I left her house, I smiled. Maybe, just maybe, I’d been the one who needed to learn a lesson. Sometimes, the best things in life are the ones we least expect.
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