Even though there are dozens of different experts that work on the appearances of characters in movies, they aren’t immune to making mistakes. And in the end, viewers may catch these fails in makeup or costume choices that couldn’t have possibly existed during the time in which the movie was set.
We at Bright Side decided to watch some of our favorite movies and read some fashion history books to find the mistakes makeup artists and costume designers have made in popular films.
Gone with the Wind
No matter how trendy Scarlett O’Hara was, she couldn’t have predicted the clothing trends for decades in advance. Her famous slim-fitting red dress with feathers and rhinestones has nothing to do with Civil War fashion — it was inspired more by styles from the 1930s and 1940s.
Julius Caesar
In the 1953 film, most of the female characters wore extravagant bullet bras. In Ancient Rome, women would wear a strophium, a prototype for the modern bra, but these weren’t bullet bras.
Legends of the Fall
Trying to create a romantic look, costume designers ignored the historical facts. Brad Pitt’s character has beautiful blonde hair and facial hair but these things were unacceptable for the time period. More and more men were choosing to don big mustaches and short hair at this time.
King Arthur
The film, which is set in the fifth century, portrays knights in heavy metal armor. But until the fourteenth century, such armor was made of leather, and only mail armor was made of metal.
Harry Potter and the Order of the Phoenix
The film is about events that happened in the ’90s and the clothes look pretty accurate, however, they’re still not perfect. Dudley Dursley is wearing G-Unit shorts — a brand that was created by 50 Cent in 2003.
Hello, Dolly!
The movie is set in New York at the end of the nineteenth century when such a hairstyle, lip gloss, and eye makeup didn’t exist. But the movie still got 3 Oscars and became one of the most important films of the decade.
Queen Margot
Throughout the entire film, the characters are wearing beautiful dresses with open shoulders. They look great but in the sixteenth century, women never ignored shifts (or chemise in French). These pieces of clothing protected them from the cold, absorbed sweat, and were really easy to wash.
Another mistake costume designers made was the way the main character’s hair was let down. Based on the few portraits we have of Margaret of Valois, she had curly hair that she wore up.
The Danish Girl
The Danish Girl starts in 1926 but in the first half of the film, we see women in slim-fitting clothes that have nothing to do with the fashion of the 1920s.
At the beginning of the film, Gerda has a hairstyle that was actually quite outdated for the setting that favored waved or bobbed hair.
A Dangerous Method
In one scene, Keira Knightley appears only in her corset, which is a contradiction to the original rules that came along with wearing this piece of clothing. A woman would never wear a corset alone.
Bonus: Mary Queen of Scots
In Mary Queen of Scots, Saoirse Ronan is wearing asymmetric earrings, which were non-existent in sixteenth-century Scotland.
In your opinion, do you think such mistakes are serious or no big deal?
Preview photo credit A Dangerous Method / Recorded Picture Company
Recall this legendary item that provided us with a lot of data.
A Glimpse into the Past
Before the digital age, the vintage telephone address/phone book index flip open was a staple in homes and offices. This compact and ingenious device held a treasure trove of contact information, organized in a way that made accessing phone numbers and addresses quick and easy.
Origins and Evolution
The telephone address/phone book index flip open originated in the early 20th century, during a time when telephones were becoming more widespread. People needed a practical way to store and retrieve contact details. The flip-open design, often featuring a spring-loaded mechanism, allowed users to quickly flip to the desired letter and find the needed contact.
Design and Features
These vintage devices were typically made from durable materials like metal or hard plastic. They featured tabs for each letter of the alphabet, making it easy to categorize and locate entries. Some versions even had a small notepad or a slot for storing a pen, adding to their functionality. The tactile experience of flipping through the index and the satisfying click of the mechanism were part of their charm.
Usage and Popularity
In an era without smartphones or digital contacts, these flip-open indexes were indispensable. Families kept them near the telephone for easy access, while businesses relied on them to manage client and supplier information. They were particularly popular in the mid-20th century, coinciding with the post-war economic boom and the subsequent rise in consumer goods.
Legacy and Collectibility
Today, vintage telephone address/phone book indexes are cherished by collectors and nostalgia enthusiasts. They represent a bygone era of simplicity and ingenuity. While they may no longer serve a practical purpose in our digitally connected world, their legacy lives on as a reminder of how people once managed their personal and professional networks.
Modern Influence
The design principles of these vintage devices continue to influence modern technology. The emphasis on organization, ease of use, and quick access can be seen in today’s digital contact management systems. Furthermore, their aesthetic appeal has inspired retro-themed decor and office supplies, blending vintage charm with contemporary functionality.
The vintage telephone address/phone book index flip open remains a beloved relic of the past. Its history, design, and lasting impact on both practical use and cultural nostalgia highlight the ingenuity of simpler times. As a collectible item, it continues to evoke fond memories and admiration for an era when managing contacts was a tactile, deliberate process.
Leave a Reply