Roy Rogers, famously dubbed the “King of the Cowboys”, and his spouse Dale Evans, known as the “Queen of the West”, emerged as early luminaries in Hollywood’s nascent television era.
Rogers, celebrated for his role as the singing cowboy alongside his loyal palomino Trigger, ascended to become the preeminent star of Westerns during his time. He starred in more than a hundred films and headlined his own television series, The Roy Rogers Show.
Over the course of his life, Rogers fathered a total of nine children through his marriages with Grace Arline Wilkins and Dale Evans. While some of his offspring followed his footsteps into the entertainment industry, others pursued quieter lives away from public scrutiny. Here’s an individual glimpse into each of Roy Rogers’ children:
Cheryl Rogers: Adopted in 1941 with his second wife, Grace Arline Wilkins, from Hope Cottage in Texas. Cheryl grew up in the presence of her father’s beloved horse Trigger and appeared in several of his films during her childhood, including Meet Roy Rogers and Trail of Robin Hood.
Linda Lou Rogers: Born two years after Cheryl’s adoption to Grace. Linda married Gary Johnson, a minister, and the couple shared over four decades together until his passing in 2008. Linda now resides in California, surrounded by their children and grandchildren.
Roy Rogers Jr. (Dusty): The only biological son of Roy Rogers, born shortly before Grace’s untimely death due to childbirth complications. Dusty made childhood appearances on The Roy Rogers Show and later managed his father’s career. He also performed with the Sons of the Pioneers and formed his band, Roy Rogers Jr. and the High Riders.
Robin Elizabeth Rogers: The only child born to Dale Evans and Roy Rogers, Robin tragically passed away before her second birthday due to complications from the mumps. In her memory, Dale authored the book Angel Unaware.
Dodie Rogers: Adopted at seven months old, Dodie, of Native American heritage, married Jon Patterson, a NASA employee, and they welcomed a daughter named Kristin. Dodie now enjoys her role as a grandmother.
Mimi Rogers: Born Marion Fleming in Edinburgh, Scotland, Mimi was discovered by Roy and Dale in a children’s home due to her exceptional singing talents. She became a cherished member of their family, marrying Dan, a Marine Corps member, with whom she had three children before his passing. Mimi is now a grandmother herself.
Debbie Rogers: Adopted during the Korean War after becoming orphaned, Debbie tragically died at the age of 12 in a bus accident in Los Angeles while traveling with other children from her church.
Sandy Rogers: Adopted following Robin’s passing, John David “Sandy” Rogers later joined the U.S. Army but sadly passed away at age 18 in a choking incident at a military hospital in Germany.
Tom Fox: Dale’s biological son from her previous marriage, Tom was raised by Roy and Dale. He pursued a career as a school teacher and music minister before his passing in 2012.
The saga of Roy Rogers and Dale Evans’ family is marked by a tapestry of happiness, sorrow, and love, emblematic of their enduring family values and profound legacy.
I Opened a Mysterious Door in My Cellar—Now I Regret Everything
I never believed in hidden doors or secret rooms; those were things from mystery stories. But when Florence and I decided to renovate our cellar, we found more than just a door behind the old wallpaper. It was something we were never meant to discover, and now, I wish I had never opened it.
You never truly understand a house until you’ve lived in it for some time. That’s what I always believed. Florence and I bought this old Victorian house five years ago. We called it our dream home. It had history, charm, and unique details, the kind of house with a past you could feel in every room.
When we started the renovation project, we thought we knew what we were getting into. The cellar was dark, damp, and unused. Peeling wallpaper and cracked tiles told us it hadn’t been touched in years. But we were excited about turning it into a useful space, maybe a wine cellar or storage room. That’s when we noticed something odd—a section of the wall that didn’t match the rest.
I never believed in hidden doors or secret rooms; those were things from mystery stories. But when Florence and I decided to renovate our cellar, we found more than just a door behind the old wallpaper. It was something we were never meant to discover, and now, I wish I had never opened it.
You never truly understand a house until you’ve lived in it for some time. That’s what I always believed. Florence and I bought this old Victorian house five years ago. We called it our dream home. It had history, charm, and unique details, the kind of house with a past you could feel in every room.
When we started the renovation project, we thought we knew what we were getting into. The cellar was dark, damp, and unused. Peeling wallpaper and cracked tiles told us it hadn’t been touched in years. But we were excited about turning it into a useful space, maybe a wine cellar or storage room. That’s when we noticed something odd—a section of the wall that didn’t match the rest.
In the back corner, we found something even stranger: an old wooden chest, covered in dust and cobwebs. It was locked, but the lock seemed weak, like it could easily break. Florence begged me to leave it alone, but I was too curious. I forced it open, and what I saw made my heart race.
Inside were old documents, letters written in a language I didn’t understand, and something wrapped in a faded cloth. When I unwrapped it, I froze. It was a small, strange object that didn’t belong in this world. Florence screamed and ran out of the cellar, terrified.
I should have followed her, but I was too deep into it. I put everything back in the chest and closed the door, but the feeling that something had changed wouldn’t leave me. Since that day, things have been different. Strange noises, cold drafts, and shadows moving where they shouldn’t.
Now, I regret opening that door. Florence refuses to go back into the cellar, and I can’t sleep at night. I don’t know what we uncovered, but I fear we’ve let something into our home that we can’t control. Every day, I wish I had just left the door hidden behind the wallpaper, where it belonged.
Now, the cellar remains locked. I’ve sealed the door with heavy boards, hoping that will keep whatever we disturbed at bay. Florence refuses to go near it, and our once happy home feels suffocating with the tension between us. It’s like the house itself has changed, like it’s watching us.
At night, I hear whispers coming from the floor below. I try to convince myself it’s just the wind or my imagination, but deep down, I know something’s wrong. The object I found in the chest haunts my thoughts—I’ve hidden it away, but it’s like it calls to me. Florence says I need to get rid of it, but I’m too afraid to touch it again.
I tried contacting the previous owners, but they didn’t know anything about the hidden room. They had lived here briefly before selling the house. No one in the neighborhood seems to know its history, and records of the house are vague. It’s like this part of the house was meant to stay forgotten.
I keep telling myself everything will be fine if I just leave it alone, but the strange occurrences are getting worse. Lights flicker, doors creak open on their own, and sometimes, I catch glimpses of something moving in the dark corners. It feels like the house is alive—angry that we disturbed its secret.
Florence is talking about moving, and maybe she’s right. But part of me knows that whatever we let out, whatever we disturbed, might not stay behind. And now, I wonder if sealing that door was just the beginning of something far more terrifying.
I never should have opened that door.
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