It can’t be easy growing up under the bright spotlight that comes with having two famous Hollywood actors for parents.
To put it mildly, Dylan Michael and Carys Zeta Douglas, the daughters of Michael Douglas and Catherine Zeta-Jones, will probably never lack anything, even though there are undoubtedly worse places to be born.
The media has been keenly observing Dylan and Carys’s growth, with many speculating about whether they will emulate their well-known parents and achieve fame of their own.
At least it appears that we finally have a solution for Carys.
Zeta-Jones has been open about her expectations that her two children would try to follow her into the big screen.
“You want to look at them when they’re on stage,” the 49-year-old said in an interview with Hello! Magazine. They’re interested in the craft as well. My son wants to study theater for his bachelor’s degree. My daughter thought that being an actress would be a better career than being a pediatrician until she was five years old.
Since both of the kids wish to follow in their parents’ footsteps, a lot of people are interested in seeing how the two kids grow. For those who require further proof, the recent excitement around Carys—who has been receiving a lot of attention due to the fact that she is starting to resemble her mother more and more every day—is adequate.
When the teenage girl made her runway debut at New York Fashion Week the previous year, she generated a lot of attention.
She has been under the radar ever since, which makes sense considering that she is only 15 years old. But when she and her mother attended another fashion event this week, the radio quiet was broken.
Carys and Catherine stole the show at the Dolce & Gabbana Alta Moda women’s couture event held at the New York Metropolitan Opera House. When the mother and daughter showed up dressed same, they posed for multiple pictures that highlighted their similarity.
Like her mother, Carys is definitely becoming into a lovely woman. Moreover, according on all accounts, her disposition is equally benevolent!
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Anita Ekberg: The Swedish Star Who Captivated Hollywood
Born on September 29, 1931, in Malmö, Sweden, Anita Ekberg grew up in a modest household as the sixth of eight children. Though her early years gave little hint of the international fame that awaited her, her striking beauty set her apart from an early age.
Her journey to stardom began in 1950 when she won the title of Miss Sweden. While she didn’t take home the Miss Universe crown, her participation in the pageant proved to be a turning point. The exposure brought her to Hollywood, where her captivating presence quickly caught the eye of industry insiders. This newfound recognition opened doors in modeling and acting, setting the stage for her entertainment career.
Breaking into Hollywood
Ekberg’s Hollywood debut came in the mid-1950s with supporting roles in films such as Blood Alley (1955), where she appeared alongside John Wayne and Lauren Bacall, and the comedy Artists and Models (1955), starring Dean Martin and Jerry Lewis. Her Nordic beauty and statuesque elegance earned her the nickname “The Iceberg,” reinforcing her image as a classic Hollywood bombshell. Popular media, including Playboy, frequently featured her, further cementing her status as a pop culture sensation.
La Dolce Vita and Global Stardom
However, it was her role in Federico Fellini’s La Dolce Vita (1960) that made her an international icon. Her portrayal of Sylvia, the enchanting yet elusive starlet, captured the essence of celebrity allure and mystery. The film’s most legendary moment—Ekberg wading through Rome’s Trevi Fountain in a flowing black gown—became one of the most enduring images in cinematic history.
Despite the worldwide recognition La Dolce Vita brought her, the role also led to typecasting, with many directors offering her parts that emphasized her glamorous persona. While this limited her opportunities for more diverse roles, Ekberg embraced the fame it afforded her, understanding the power of the image she had cultivated.
Life in Italy and Career Beyond Hollywood
Choosing to remain in Italy after her rise to stardom, Ekberg found greater creative freedom outside Hollywood’s constraints. She appeared in notable European films such as Boccaccio ’70 (1962), an anthology featuring works by Fellini and Vittorio De Sica, and 4 for Texas (1963), where she reunited with Dean Martin and Frank Sinatra. Though filmmakers often cast her in roles that leaned into her seductive image, she maintained a strong presence in European cinema, solidifying her legacy as a screen siren of her era.
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