Actress Ellen Page made a remarkable change on her social media profiles on December 1, 2020, revealing a new male identity as Elliot. This unexpected transformation quickly gained widespread attention as Elliot’s posts began circulating online. Netflix promptly responded by updating the credits of their movies and series to acknowledge this change. On Twitter, an outpouring of support was evident, with a post expressing immense pride and love for the newly emerged Elliot.
Life in the body of a woman
Achieving success in the film industry while presenting as a female, Paige made a remarkable entrance into the world of acting at the tender age of 10. Her inaugural role as Maggie MacLean in Pit Pony proved to be an instant triumph, garnering her a nomination for the esteemed Young Artist Award and paving the way for numerous exciting career prospects. By the time Ellen reached 18, she had already amassed an impressive repertoire of over a dozen roles in diverse movies and television shows, a testament to her exceptional talent and unwavering commitment to her craft.
Page’s career reached a significant milestone with their prominent portrayal in the film Juno. Esteemed film critics showered Page with praise, recognizing their “astonishing talent,” while the movie itself was hailed as one of the standout films of the 2000s. At the young age of 20, Page made history as the fourth youngest nominee for the prestigious Academy Award for Best Actress, a truly remarkable accomplishment.
The start of a new life
Despite outwardly achieving success, Page grappled with a sense of incompleteness. From a young age, they carried a profound awareness of being different. Even in childhood, Page felt a stronger identification with being a boy, going as far as signing their name as Jason and expressing to their mother the desire to grow up as a man. Despite the passage of time, the persistent question of identity and the ongoing struggle for self-acceptance regarding their gender remained steadfast.
Just prior to reaching the age of 27, Page chose to share a personal revelation with the public. Initially, he openly acknowledged his attraction to women and subsequently disclosed that he had discovered his ideal partner in dancer and choreographer Emma Portner, whom he married in 2018. The trajectory of their relationship has been unconventional, as Portner had previously been married to a woman and divorced a man. However, the couple ultimately separated in 2020, with their divorce being finalized in early 2021.
Life in the body of a man
With unwavering courage, Elliot Page took to his social media platforms on December 1, 2020, to reveal his authentic identity as a man. Embracing the pronouns he/they and adopting the name Elliot, he fearlessly shared this significant decision with the world. The response was overwhelmingly supportive, with fellow celebrities and individuals alike recognizing him as a beacon of inspiration for transgender and non-binary communities. Even his spouse publicly expressed deep admiration, acknowledging the invaluable presence of trans, queer, and non-binary individuals as a precious gift to the world.
In another groundbreaking milestone, Elliot Page achieved a historic feat by becoming the first transgender man to be featured on the cover of Time magazine. For this momentous occasion, he made a deliberate choice to collaborate with a photographer who could genuinely grasp his unique experience and authentically capture his essence as a transgender man.
During an interview with Time, Elliot openly and sincerely shared details of his personal journey, including his gender-affirming surgery, which he described as not only transforming his life but also serving as a lifesaving intervention. Finally able to embrace his true identity as a man, Elliot expressed that he has always been the person he is today, deeply rooted within himself throughout his entire existence.
Elliot expresses his genuine excitement about being able to act as his authentic self in his own body, remarking, “No matter the challenges and difficult moments of this, nothing amounts to getting to feel how I feel now.” Finally living in harmony with his true self and appearance, Elliot’s life is now enriched with moments of pure joy that were once absent. Simple, everyday things like coming out of the shower with a towel wrapped around his waist now bring him happiness. Looking in the mirror, he can confidently say, “There I am,” as he revels in the newfound joy of being true to himself.
Undergoing the surgical transformation had a profound impact on Elliot, not only in terms of his physical appearance but also in igniting a newfound wave of creativity within him. Ever since coming out to his loved ones, he has been infused with a powerful sense of inspiration, leading him to embark on various creative endeavors.
This includes writing a film script, exploring his passion for music, and actively working on a memoir that aims to empower and uplift numerous individuals. While engaged in his work on set, Elliot has found that, apart from feeling at ease in his male body, there have been no significant changes to his professional experience.
Why Page talks about it so much
Elliot is often credited with inspiring numerous transgender individuals to embrace their true selves, but the actor holds a different perspective. Despite the overwhelming support received upon coming out, Page sees himself as an activist fighting for the rights of transgender people. He aims to raise public awareness about crucial issues using his platform and privilege. As he expressed, “My privilege has allowed me to have resources to get through and to be where I am today and, of course, I want to use that privilege and platform to help in the ways I can.”
In an interview, Elliot was posed with a thought-provoking question about what message he would convey to his younger self if granted the chance to travel back in time. After careful consideration, the actor responded with profound introspection, expressing, “I would assure my younger self that I was precisely the person I perceived, felt, and understood myself to be.”
But Elliot page isn’t the only famous person to transition, since there have been many before him and will be many after him. And it’s inspiring to see them flourishing after going under such a transformation. And sometimes actors have transformed themselves simply for a role, where the result was jaw-dropping.
Preview photo credit Ninha Morandini / Wikimedia Commons, CC BY 2.0, elliotpage / Instagram
10 Little-Known Mistakes in Pretty Woman That Will Blow Your Mind
Pretty Woman is one of those movies I can watch over and over — it never gets old or boring.
But considering how many times I’ve seen it, it’s surprising that I’ve never noticed these bloopers and mistakes that tell a different story about the film.
Disney changed everything
*Pretty Woman* became a romantic comedy that captured millions and launched Richard Gere and Julia Roberts to fame.
But that’s not how it was originally meant to be. The first screenplay was titled *3,000*, written by then-struggling screenwriter J.F. Lawton. The early draft dealt with much darker themes about social inequality and corporate greed.
However, everything changed when Disney took over. The company chose to downplay the themes of class and sex work in Los Angeles. Instead, Disney gave it a big budget and turned it more into a romantic comedy.
Al Pacino turned down the lead role
For me, it’s hard to imagine anyone but Richard Gere as Edward Lewis, the wealthy businessman from New York who hires Vivian (Julia Roberts) to be his escort for a week.
The casting process for *Pretty Woman* took longer than expected, with Al Pacino initially in the running for the role of Lewis. The famous actor even took part in a casting reading with Julia Roberts but ultimately decided to pass on the part.
Although he liked the script, Pacino never explained why he turned it down. Looking back, he has shown respect for Roberts, who was a relatively unknown actress at the time.
“I mean, you could tell at the reading that this was going to be good, that it would be a hit,” Pacino said.
He also mentioned: “And this girl was amazing. I asked Gary, ‘Where did you find this girl?’” (Gary being Gary Marshall, the film’s director). Pacino’s instincts were right, as Roberts’s outstanding performance would shape her career and the film’s legacy.
The croissant becomes a pancake
In the scene where Richard Gere’s character orders breakfast in the room, there’s a funny little detail you might not have noticed. It starts with Vivian enjoying a croissant while talking to Edward.
But then, in an instant, the croissant magically turns into a pancake.
How did that happen? According to director Garry Marshall, he liked Julia Roberts’ performance in the later takes, where she was eating a pancake instead of the croissant, so they decided to use that footage.
However, this caused a continuity issue. In the first shot with the pancake, Vivian takes a second bite, but in the next shot, the pancake only has one bite missing, and the bite marks are clearly different.
It’s clearly not the same pancake!
Truth behind the iconic dress
The careful attention to costume design might go unnoticed by most moviegoers. However, whether you notice fashion or not, it’s hard to miss the iconic red dress that Julia Roberts’ character wears in the film.
The red dress represents Vivian’s transformation and empowerment during a key scene in the movie when Roberts’ character joins Edward Lewis for a night at the opera.
Vogue described the dress as “eye-catching, incredibly sexy without losing any elegance.” The genius behind that stunning dress? The award-winning costume designer Marilyn Vance.
She created six fabulous outfits for Julia Roberts’ character, Vivian Ward, and also designed Richard Gere’s stylish looks.
For example, the charming brown-and-white polka dot dress Roberts wore to the horse race was made from old silk found in a small antique fabric shop in Los Angeles — talk about recycling in style! And those chic shoes? They were by Chanel.
Richard Gere’s tie
As for Gere’s wardrobe, it was a masterclass in color coordination, featuring brown, navy, and blue-gray suits, all designed by Vance.
Now, about that famous tie that Roberts takes from a store employee? According to Vance, it was “nothing special” and definitely not a designer piece.
She bought it in a Los Angeles shop for $48.
The tie appears several times in the film, and if you watch closely, you might notice that it mysteriously changes knots from time to time.
During the polo match, Edward wears a straight-collar shirt with the tie that Vivian gave him, knotted in a half-Windsor. But in a later scene, sharp-eyed viewers can see a subtle change — Edward’s collar has turned into a spread style, and the tie is now in a full-Windsor knot.
‘Obscene’ shopping spree
When Richard Gere shows Julia Roberts’ character the glamorous world of the rich, he takes her on a wild shopping spree down Rodeo Drive in Beverly Hills.
That afternoon shopping trip? It would have cost Gere’s character at least $30,000, according to designer Marilyn Vance.
Talk about a shopping spree on steroids! It’s like they were shopping with Monopoly money — no wonder Vivian was in a daze.
The ruby-and-diamond necklace was real
The jewelry Julia Roberts wore with her stunning red ball gown — a heart-shaped necklace made of rubies and diamonds — was valued at an incredible quarter million dollars. Yes, you heard that right.
According to movie trivia sites, this ruby-and-diamond masterpiece was the real deal. In fact, while filming, an armed security guard from the jewelry store responsible for this extravagant necklace stood watch behind the director.
Jewelry box scene was a practical joke
The scene where Richard Gere gives Julia Roberts the expensive necklace is not only one of the most romantic and iconic moments in movie history, but it also has a funny backstory.
Originally, it was meant as a playful prank for the film’s gag reel.
As you might remember, the jewelry box snaps shut on Julia Roberts’ fingers, causing one of the most genuine and charming laughs ever caught on film.
The real story behind the scene came from director Garry Marshall, who explained why he and Gere decided to play this trick on the young actress.
According to Marshall, Roberts, who was just 23 at the time, would sometimes show up on set a little sleepy after a late night out.
“I said, ‘Richard, you gotta wake her up a little, so when she reaches for the box, slam it.’ It was a soft box. I would never hurt her,” Marshall explained.
It wasn’t until the final stages of editing that they decided to keep the scene in the movie. “We put it in… and it became like the trademark of the movie,” Marshall said.
And just like that, an unscripted joke turned into cinematic magic.
Edward’s disappearing shoes
As mentioned earlier, there are some mistakes in *Pretty Woman* that aren’t easy to spot on the first viewing, but some keen viewers have noticed them.
For instance, when they leave the opera and head to the park, Vivian takes off Edward’s shoes. However, as he begins to lie down, the shoes magically reappear.
Money in the boot
Speaking of things on (or in) your feet, there’s a little mystery involving Vivian’s boots that you might have missed.
When Edward gives her $100 in the penthouse, she slips the cash right into her boot for safekeeping. But later, after room service arrives with champagne and she takes off her boots, the money has mysteriously disappeared.
Did the cash vanish into thin air, or is Vivian just really good at hiding things? Maybe those boots had a secret compartment, or perhaps the $100 simply didn’t want to stick around for the rest of the film…
Four colored condoms
When Vivian offers Edward a selection of colorful condoms, it seems they have a mind of their own.
Vivian starts with four neatly arranged options (not counting that fancy gold circle one). But in the next shot, the order has magically changed.
Richard Gere didn’t like his character
Richard Gere has certainly gained from the success of *Pretty Woman*—both in his career and his bank account. But he hasn’t always been fully positive about the film, especially regarding his character, Edward. At a film festival in Venice, Gere described Edward as “criminally underwritten.” He added, “Basically, he’s just a suit and a good haircut.”
One scene in particular seemed to bother Gere, where Edward plays the piano while Vivian moves closer. Reflecting on it, Gere sarcastically said, “I mean, no chemistry. This actor and this actress obviously had no chemistry between them… I haven’t seen that in a long time. That’s a sexy scene.”
Director Garry Marshall came up with the idea for the scene after asking Gere what he usually did late at night in a hotel. Gere remembered, “I said, ‘Well, I’m usually jet lagged, so I’m up all night. Usually, there’s a ballroom or a bar, and I’ll find a piano and play it.’” Marshall then suggested, “Well, let’s do something with that.”
So, the scene was mostly improvised, with Gere explaining: “He said, ‘Play something moody.’ I just started playing something moody that reflected this character’s interior life.”
Then, just as mysteriously, the original lineup of condoms snaps back in the third shot. It’s as if the condoms were having their own little dance routine behind the scenes.
More than just onscreen lovers
If you ask me, the chemistry between Julia Roberts and Gere in *Pretty Woman* was undeniable. But the sparks didn’t just fly when the cameras were rolling — they formed a close bond off-screen too.
In 2017, Gere shared that he still talks to Roberts “all the time,” and back in the day, they would chat “three or four times a day.”
You could say it was love at first sight, in a friendly sort of way.
Even in a fairytale romance, things don’t always go as planned. Maybe that’s what makes this movie so charming and keeps us watching it again and again, year after year.
Did we miss your favorite *Pretty Woman* blooper? Share it with us and keep the fun going!
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