Georg Stanford Brown and Tyne Daly’s interracial marriage stood the test of time despite the prejudices they faced…

 Hollywood actors Georg Stanford Brown and Tyne Daly only dated for five months before deciding they wanted to be together forever.

Their love affair began in the 1960s when interracial marriage was considered taboo, illegal, and punishable by law.

They married on June 1, 1966, just one year before interracial marriage became legal across the U.S. As late as 1960 such marriages were illegal in 31 states in the U.S.

Georg Stanford Brown had moved from Havana to Harlem when he was 7 years old and then moved to LA 10 years later where he finished his education, majoring in theater arts.

Although, initially choosing the path of theater arts to ‘do something easy’ he ended up enjoying it and returned to New York to attend the American Musical and Dramatic Academy, working as a school janitor to pay his tuition, earning $80 a week.
It was there that he met his future wife Tyne Daly where they both studied under Philip Burton, Richard Burton’s mentor.
Brown is perhaps best known for his role as Officer Terry Webster, one of the stars of the ABC television series “The Rookies” that aired from 1972 to 1976.

He was also well known for his character Tom Harvey in the mini-series “Roots.”

During his long career as an actor and director, Brown played a variety of film roles, including Henri Philipot in The Comedians and Dr. Willard in Bullitt. In 1984 he starred in The Jesse Owens Story as Lew Gilbert.
When Brown married American singer and actress Tyne Daly she was a household name for her iconic role-playing Mary Beth Lacey, the gun-toting working-mother cop in the hit show “Cagney and Lacey.”

When the couple got married they faced racial prejudice but chose to ignore it – until they appeared on an episode of “The Rookies” together and shared their first on-screen interracial kiss.
Network censors wanted the scene deleted, but the couple stood their grounds, taped, and aired the segment without any issues from those closest to them.
In an interview with the Washington Post in 1985, Daly said she never saw being married to Brown as interracial. She does not, she says, “like pigeonholes.”
She is married to “another member of the human race. I gave up categories a long time ago,” she added.

The couple has three daughters Alisabeth Brown, born December 12, 1967; Kathryne Dora Brown, born February 10, 1971; and Alyxandra Beatris Brown, born October 1, 1985.

Daly said when their daughter Alyxandra was born, “on her birth certificate, under ‘race,’ we put ‘human’; under ‘sex’ we put ‘yes’, and under ethnic origin, we put ‘citizen of the world.’”
Describing her marriage to Brown, Daly said: “I have a good and interesting marriage that has gone on for quite some time and he’s an interesting fellow and we have some fascinating young children . . .”

Brown went into directing, and in 1986, he won a Primetime Emmy Award for Best Director in a Drama Series for the final episode of “Cagney & Lacey.”
Daly went on to star in many Broadway shows playing the role of Madame Arkadina in “The Seagull” in 1992, Cynthia Nixon in the 2006 comedy “Rabbit Hole,” and Maria Callas in “Master Class” in 2011, among others.
In 1990, after 24 years of marriage, Brown, and Daly filed for divorce. Even though their marriage had stood the test of time, they had to go their separate ways due to irreconcilable differences.

Despite divorcing after more than two decades this couple’s love and their fight to ignore the prejudice they faced is an inspiration.

My Blood Chilled When I Discovered What Was Hidden in My Husband’s Drawer the Day After We Moved In Together

Freya was eager to start her new life as a newlywed when she moved into her husband George’s ancestral home. However, when Valerie, the housemaid, hinted at George’s hidden life, their marriage vows quickly began to unravel.

Just off the high of our wedding, I moved into George’s grand family home — a place that seemed lifted from a storybook with its towering ceilings, elegant arches, and gardens blooming with flowers. George had been keen on me settling in before we jetted off to our honeymoon in the South of France.

But not all was as idyllic as it appeared. From the start, Valerie, the maid, cast glances my way that seemed to shout, “You’re an outsider.” Despite the chill in her gaze, I was determined to make this my new home. Valerie would just have to accept that.

A few days after moving in, I decided to prepare a big breakfast for everyone in the house, including George’s younger siblings who still lived there.

While I bustled around the kitchen, Valerie watched my every move with sharp eyes as she cleaned around me. Her presence made me uneasy. When I went to grab my phone to look up a recipe, it was nowhere to be found.

“Have you seen my phone?” I asked Valerie, sure it had been right there on the table.

She simply shook her head without looking up.

“I’d get breakfast ready quickly if I were you,” she remarked coldly. “The family will be down soon.”

Heeding her advice, I focused on finishing the breakfast. After she left the kitchen, I found my phone on the seat she had just vacated. But it was the message on the screen that flipped my world upside down:

“Check your husband’s drawer. The top left one. Then RUN!”

Heart racing, I hurried to our bedroom, replaying the warning in my mind. Valerie had already tidied up our room by then.

With a heavy sense of foreboding, I opened the drawer. Inside, I discovered a bundle of letters bound with an old ribbon and an antique key. The letters were from George to someone named Elena.

Sitting on our bed, I read each letter, heart sinking further with every word of love and promises made to another woman.

The last letter was a farewell, dated just days before George proposed to me.

Curious about the key, I asked George’s sister Ivy about it. “It might go to the attic,” she suggested, noting it was George’s favorite hideaway.

In the attic, the truth was starkly displayed. The walls were adorned with photos of George and a woman—presumably Elena. Each image, a testament to their relationship.

Underneath one of the photos, an ultrasound image was pinned, marking another revelation—George and Elena were expecting a child.

How could he have kept this from me?

As I absorbed the magnitude of his betrayal, Valerie appeared in the doorway.

“You weren’t meant to find out like this,” she admitted softly.

“You knew?” I confronted her.

She nodded. “Elena is my sister. She thought you deserved to know. I placed those letters this morning.”

“And the baby?” My voice broke with the question.

Valerie leaned against the wall, explaining how George had fallen in love with Elena, a former maid, and how everything changed when they discovered the baby had Down syndrome. George couldn’t handle the implications.

Valerie and I then faced the family in the living room, revealing everything as George walked in.

“Is this true?” his father demanded, eyes locked on George.

George’s silence confirmed everything.

The fallout was swift. George was disinherited, his future resources redirected to support Elena and her child.

As for me, I was granted a swift divorce, and the family compensated me with assets originally intended for George.

I used some of those assets to start a foundation for children with disabilities, now managed by Valerie, with guidance from me and George’s mother, who had disowned him.

In my position, what would you have done?

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