Chuck Connors, a name linked with vintage Western television, rose to fame as a result of his memorable performance as “The Rifleman’s” Lucas McCain. The transformation of Connors from athlete to actor is amazing and motivating. His initial success came in the sports industry. He was born in 1921. His brief but unforgettable MLB career began in 1940 when the Brooklyn Dodgers recognized his baseball potential.
But it didn’t take him long to feel the need to act. Connors entered the movie business in the early 1950s, and his breakout performance came in the 1952 picture “Pat and Mike.” However, his role as McCain in “The Rifleman,” which debuted in 1958, is what really solidified his reputation on television. In the role of McCain, Connors embodied the physicality and emotional depth of a dedicated rancher from New Mexico. He gave the role his all, whether it was performing stunts or learning how to ride a horse. The authentic relationship he had with his on-screen son, Johnny Crawford, was one of the show’s highlights.
Beneath his heroic façade on television, Connors had a difficult personal life. His on-screen portrayal as the perfect parent figure stood in stark contrast to his real-life troubles. The guy behind the character became more complex as a result of his multiple marriages and extramarital encounters. Connors’ clean TV appearance was further undermined by the obvious age difference in his personal connections.
Connors was notable in Hollywood for his political views as well. He openly backed politicians like Ronald Reagan and Richard Nixon, in contrast to many of his liberal Hollywood contemporaries. Because of this, he stood out both on and off screen.
It was difficult for Connors to get rid of Lucas McCain’s shadow when “The Rifleman” concluded. He tried his hand at a number of TV and movie roles, but none of them was as memorable as McCain. He brought the cherished character back for a short while in a 1991 TV film around the tail end of his career. Regretfully, he lost his fight with lung cancer and died at the age of 71 in 1992.
Chuck Connors had a great career and personal life, but he also left a lasting legacy in entertainment. He has a star on the Hollywood Walk of Fame in recognition of his contributions to vintage westerns and the Golden Age of Television. Despite his share of flaws, Connors’ genuine decency and enduring influence on screen guarantee his position in television history.
The Corpse of Drew Barrymore’s Grandfather Was Stolen for One Last Celebration
John Barrymore came from a long line of theater actors. He himself first appeared on stage alongside his father in 1900, and in 1903 officially began his career, starring in the likes of Justice (1916) and Richard III (1920). His greatest role was his 1992 appearance in Hamlet, for which he was dubbed “the greatest living American tragedian.”
Barrymore also starred in a slew of silent films, most notably Dr. Jekyll and Mr. Hyde (1920), Sherlock Holmes (1922) and Beau Brummel (1924). He later made the transition to sound movies, starring in the likes of Grand Hotel (1932) and Midnight (1939).
On May 29, 1942, Barrymore died at the age of 60 from pneumonia and cirrhosis. What happened next has been the subject of many rumors. It’s alleged his friends, Errol Flynn, W.C. Fields and Sadakichi Hartmann snuck into the morgue where his body was being held, propped him up against a poker table and allowed him to experience one final celebration.
As it turns out, these rumors are true! In an August 2020 episode of the popular YouTube series Hot Ones, the acting legend’s granddaughter, Drew Barrymore, revealed his corpse had actually been stolen.
“Not only yes, but there have been cinematic interpretations of it,” she exclaimed. Those interpretations include S.O.B., starring Julie Andrews, and allegedly the 1989 comedy Weekend at Bernie’s, in which two friends pretend their deceased boss is alive.
Barrymore added that she wants the same to happen to her. “I will say this, I hope my friends do the same for me. That is the kind of spirit I can get behind. Just prop the old bag up, let’s have a few rounds.
“I think death comes with so much morose sadness and I understand that, but if it’s okay, just for me, if everybody could be really happy and celebratory and have a party, that would be my preference.”
Vintage Hollywood certainly was a different era…
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