“No, this can’t be happening!” My husband’s anticipation for our wedding night turned to horror when I took off my wedding dress. I’d been keeping the secret of what lay beneath my dress all day, but it was finally time to expose a shocking revelation.
I had a perfect fairytale wedding. Greg stood at the end of the aisle, beaming like he’d just won the lottery. See, Greg thought this was the start of our perfect life together, but I knew the truth.
A bride with a cunning smile | Source: Midjourney
That perfect bubble we were living in was about to burst. But not yet, not until I was ready to pop it.
The reception went on like a dream — champagne glasses clinking, laughter echoing across the perfectly manicured lawns, and Greg’s parents playing the role of doting in-laws. After all, their perfect little boy deserved the perfect little day, didn’t he?
And me? I played my part. I smiled at the right moments and laughed when someone told us a joke. I even danced with Greg like everything was just fine.
A couple on their wedding day | Source: Midjourney
Greg thought he knew me. He thought he had me all figured out, but he was wrong.
As the night wore on, Greg’s anticipation for our wedding night became almost unbearable. He couldn’t hide it, not that he was trying to.
His touches lingered too long, and his smile was too wide. I felt like a performer on stage, playing a part that had been written for me long before I even agreed to put on the dress. But I had my own script.
A bride | Source: Midjourney
We finally said our goodbyes to the guests, thanking them for coming and accepting their compliments about how beautiful everything had been. Greg’s parents stayed downstairs in the guest rooms, giving us privacy, and Greg couldn’t wait to get me upstairs.
His hand tightened around mine as he led me to the master suite, the same one his parents had graciously let us use for our first night together as husband and wife. How poetic.
He was practically giddy as he closed the door behind us.
A man closing a door | Source: Midjourney
The atmosphere in the room shifted, the excitement in the air becoming almost tangible. I could see it in his eyes as he came toward me, his hands already reaching for the zipper of my wedding dress.
“I’ve been waiting all night for this,” he murmured against my neck, his breath hot and full of promise.
I smiled, a small, secret smile that he couldn’t see. “Me too.”
A smiling woman | Source: Midjourney
He carefully unzipped my dress. I stood perfectly still, my heart racing. He was so eager, so confident in what was coming next. He didn’t have a clue.
When the dress finally fell to the floor, I turned around slowly. I’ll never forget the look on his face when he saw what was underneath. He looked like a man standing on the edge of a cliff, teetering, trying to keep his balance.
“No…” His voice cracked, barely above a whisper. “No, no, no! This can’t be happening!”
A shocked man | Source: Midjourney
The tattoo of Greg’s ex, Sarah, stretched across my torso, down to my waist. The words he’d said to her the night before our wedding were perfectly inscribed beneath her face: “One last taste of freedom before I’m bound to the same body forever.”
It was temporary, sure. But Greg didn’t know that. It was authentic enough to make his knees buckle beneath him.
“How did you know?” He sobbed, his gaze fixed on the tattoo.
A man on his knees | Source: Midjourney
“Sarah was only too eager to rub your betrayal in my face,” I spat.
“I didn’t mean it,” he sobbed, his voice thick with regret. “I’m so sorry, I didn’t mean it!”
That’s when we heard the footsteps. Marianne and James burst through the door, their faces full of concern.
“What’s going on?” Marianne’s voice trembled as her eyes darted between her sobbing son and me. Then, her gaze fell on the tattoo. Her face went white.
A shocked woman | Source: Midjourney
“It’s simple,” I replied. “Greg cheated on me.”
Marianne’s gasp filled the room, sharp and full of disbelief. James, Greg’s father, stood frozen in the doorway. He was always the stoic one, the quiet type who let Marianne handle the dramatics. But this? This was something even he couldn’t swallow.
He wasn’t a man of many words, but the tension in his clenched fists, the way his jaw tightened — he didn’t need to say anything. It was all right there in his expression.
An angry man | Source: Midjourney
For a moment, silence stretched between us. The weight of the truth hung in the air, heavy and suffocating. Greg was still on the floor, hands gripping his hair as if that would somehow keep him from falling apart completely.
Marianne’s gaze flicked back to Greg, her lips quivering. “Greg? Is this true?”
She took a shaky step toward him, her voice fragile, like she was begging him to tell her that what she was seeing wasn’t real, that her son couldn’t have done something so unforgivable.
An emotional woman | Source: Midjourney
Greg didn’t answer. He couldn’t. His whole body was trembling, his shoulders shaking as sobs wracked his chest.
“Tell me!” Marianne’s voice cracked, breaking under the pressure of her disbelief. “Tell me it’s not true!”
James stepped forward. His face was like stone, but I could see the fury simmering beneath the surface. He towered over Greg, his hands balled into fists, his whole body radiating a barely contained rage.
“Gregory,” he growled, his voice low and dangerous. “Is this true?”
An angry man | Source: Midjourney
Still, Greg couldn’t bring himself to respond. His sobs had quieted, but he remained a crumpled mess on the floor, unable to face the reality of what he had done. I decided to step in.
“He slept with her the night before our wedding,” I said, my voice cutting through the tension like a knife. “He told her he needed ‘one last taste of freedom before he was bound to the same body forever.'”
Marianne let out a strangled sob, collapsing onto the edge of the bed as her world came crashing down around her.
A woman sitting on a bed | Source: Midjourney
James’s face darkened. His nostrils flared as he glared down at his son. Disgust and disappointment warring in his expression.
“You’ve disgraced this family,” he spat, his voice tight with fury. “How dare you? How could you betray Lilith like this?”
Greg’s head snapped up, his eyes wild with panic. “I’m sorry,” he choked out, his voice barely audible. “I didn’t mean for this to happen. I-I made a mistake.”
“A mistake?” I echoed, my voice rising with incredulity.
A furious woman | Source: Midjourney
“You call sleeping with your ex the night before our wedding a mistake?” I stepped closer to him, the rage I’d been holding back finally bubbling to the surface. “No, you made a choice, Greg. A deliberate, calculated choice to betray me. And now you’re paying for it.”
Greg turned his tear-streaked face toward me, his eyes wide with desperation. “Please, Lilith… please, I love you. I didn’t mean for any of this to happen. I’ll do anything! Just please, don’t leave me.”
I laughed then, a cold, hollow sound that echoed through the room.
A grimacing woman | Source: Midjourney
“Love me? You love me?” I shook my head in disbelief. “Greg, you don’t know the first thing about love. If you did, you wouldn’t have done what you did. You wouldn’t have betrayed me like that.”
He reached for me, his hands trembling, his eyes pleading. “Please… I’m begging you.”
I stepped back, letting him fall short, my eyes hard and unfeeling. “I’m done, Greg. This is over. You destroyed us the moment you decided to crawl back to Sarah.”
His father, James, stepped forward then, his voice a low growl.
A furious man | Source: Midjourney
“Get up,” he ordered Greg, his patience finally wearing thin. “Get up and face what you’ve done.”
Greg hesitated for a moment, then slowly pushed himself to his feet, his knees still wobbling beneath him. He looked so pathetic, standing there in his wrinkled wedding suit, his face streaked with tears, his whole world crumbling around him.
I turned to Marianne and James, who were still trying to process the fallout. Marianne’s face was red and swollen from crying, while James’s expression was a storm of disappointment and fury.
A serious woman | Source: Midjourney
“I’m leaving,” I announced, my voice steady and calm, the decision final. “You can deal with him now.”
“Lilith, please,” Greg begged one last time, his voice breaking. “Please don’t go.”
But I was already done. I turned away from him, from the mess of our ruined wedding night, and reached for my robe. I slipped it over my shoulders, covering the tattoo, and made my way toward the door.
“Lilith,” Greg called after me, his voice full of desperation. “I’ll change! I’ll make it right!”
A pleading man | Source: Midjourney
But I didn’t even bother to respond. There was nothing left to say.
As I stepped out of the room, I heard James’s voice, low and furious, booming through the silence. “This is what you’ve done, Greg. You’ve ruined everything.”
And then, Greg’s pitiful sobs. His cries echoed through the house, but they didn’t touch me. I walked down the stairs, feeling lighter with every step. I was free. Free from him, free from the lies, free from the betrayal.
A woman on a staircase | Source: Midjourney
10 Little-Known Mistakes in Pretty Woman That Will Blow Your Mind
Pretty Woman is one of those movies I can watch over and over — it never gets old or boring.
But considering how many times I’ve seen it, it’s surprising that I’ve never noticed these bloopers and mistakes that tell a different story about the film.
Disney changed everything
*Pretty Woman* became a romantic comedy that captured millions and launched Richard Gere and Julia Roberts to fame.
But that’s not how it was originally meant to be. The first screenplay was titled *3,000*, written by then-struggling screenwriter J.F. Lawton. The early draft dealt with much darker themes about social inequality and corporate greed.
However, everything changed when Disney took over. The company chose to downplay the themes of class and sex work in Los Angeles. Instead, Disney gave it a big budget and turned it more into a romantic comedy.
Al Pacino turned down the lead role
For me, it’s hard to imagine anyone but Richard Gere as Edward Lewis, the wealthy businessman from New York who hires Vivian (Julia Roberts) to be his escort for a week.
The casting process for *Pretty Woman* took longer than expected, with Al Pacino initially in the running for the role of Lewis. The famous actor even took part in a casting reading with Julia Roberts but ultimately decided to pass on the part.
Although he liked the script, Pacino never explained why he turned it down. Looking back, he has shown respect for Roberts, who was a relatively unknown actress at the time.
“I mean, you could tell at the reading that this was going to be good, that it would be a hit,” Pacino said.
He also mentioned: “And this girl was amazing. I asked Gary, ‘Where did you find this girl?’” (Gary being Gary Marshall, the film’s director). Pacino’s instincts were right, as Roberts’s outstanding performance would shape her career and the film’s legacy.
The croissant becomes a pancake
In the scene where Richard Gere’s character orders breakfast in the room, there’s a funny little detail you might not have noticed. It starts with Vivian enjoying a croissant while talking to Edward.
But then, in an instant, the croissant magically turns into a pancake.
How did that happen? According to director Garry Marshall, he liked Julia Roberts’ performance in the later takes, where she was eating a pancake instead of the croissant, so they decided to use that footage.
However, this caused a continuity issue. In the first shot with the pancake, Vivian takes a second bite, but in the next shot, the pancake only has one bite missing, and the bite marks are clearly different.
It’s clearly not the same pancake!
Truth behind the iconic dress
The careful attention to costume design might go unnoticed by most moviegoers. However, whether you notice fashion or not, it’s hard to miss the iconic red dress that Julia Roberts’ character wears in the film.
The red dress represents Vivian’s transformation and empowerment during a key scene in the movie when Roberts’ character joins Edward Lewis for a night at the opera.
Vogue described the dress as “eye-catching, incredibly sexy without losing any elegance.” The genius behind that stunning dress? The award-winning costume designer Marilyn Vance.
She created six fabulous outfits for Julia Roberts’ character, Vivian Ward, and also designed Richard Gere’s stylish looks.
For example, the charming brown-and-white polka dot dress Roberts wore to the horse race was made from old silk found in a small antique fabric shop in Los Angeles — talk about recycling in style! And those chic shoes? They were by Chanel.
Richard Gere’s tie
As for Gere’s wardrobe, it was a masterclass in color coordination, featuring brown, navy, and blue-gray suits, all designed by Vance.
Now, about that famous tie that Roberts takes from a store employee? According to Vance, it was “nothing special” and definitely not a designer piece.
She bought it in a Los Angeles shop for $48.
The tie appears several times in the film, and if you watch closely, you might notice that it mysteriously changes knots from time to time.
During the polo match, Edward wears a straight-collar shirt with the tie that Vivian gave him, knotted in a half-Windsor. But in a later scene, sharp-eyed viewers can see a subtle change — Edward’s collar has turned into a spread style, and the tie is now in a full-Windsor knot.
‘Obscene’ shopping spree
When Richard Gere shows Julia Roberts’ character the glamorous world of the rich, he takes her on a wild shopping spree down Rodeo Drive in Beverly Hills.
That afternoon shopping trip? It would have cost Gere’s character at least $30,000, according to designer Marilyn Vance.
Talk about a shopping spree on steroids! It’s like they were shopping with Monopoly money — no wonder Vivian was in a daze.
The ruby-and-diamond necklace was real
The jewelry Julia Roberts wore with her stunning red ball gown — a heart-shaped necklace made of rubies and diamonds — was valued at an incredible quarter million dollars. Yes, you heard that right.
According to movie trivia sites, this ruby-and-diamond masterpiece was the real deal. In fact, while filming, an armed security guard from the jewelry store responsible for this extravagant necklace stood watch behind the director.
Jewelry box scene was a practical joke
The scene where Richard Gere gives Julia Roberts the expensive necklace is not only one of the most romantic and iconic moments in movie history, but it also has a funny backstory.
Originally, it was meant as a playful prank for the film’s gag reel.
As you might remember, the jewelry box snaps shut on Julia Roberts’ fingers, causing one of the most genuine and charming laughs ever caught on film.
The real story behind the scene came from director Garry Marshall, who explained why he and Gere decided to play this trick on the young actress.
According to Marshall, Roberts, who was just 23 at the time, would sometimes show up on set a little sleepy after a late night out.
“I said, ‘Richard, you gotta wake her up a little, so when she reaches for the box, slam it.’ It was a soft box. I would never hurt her,” Marshall explained.
It wasn’t until the final stages of editing that they decided to keep the scene in the movie. “We put it in… and it became like the trademark of the movie,” Marshall said.
And just like that, an unscripted joke turned into cinematic magic.
Edward’s disappearing shoes
As mentioned earlier, there are some mistakes in *Pretty Woman* that aren’t easy to spot on the first viewing, but some keen viewers have noticed them.
For instance, when they leave the opera and head to the park, Vivian takes off Edward’s shoes. However, as he begins to lie down, the shoes magically reappear.
Money in the boot
Speaking of things on (or in) your feet, there’s a little mystery involving Vivian’s boots that you might have missed.
When Edward gives her $100 in the penthouse, she slips the cash right into her boot for safekeeping. But later, after room service arrives with champagne and she takes off her boots, the money has mysteriously disappeared.
Did the cash vanish into thin air, or is Vivian just really good at hiding things? Maybe those boots had a secret compartment, or perhaps the $100 simply didn’t want to stick around for the rest of the film…
Four colored condoms
When Vivian offers Edward a selection of colorful condoms, it seems they have a mind of their own.
Vivian starts with four neatly arranged options (not counting that fancy gold circle one). But in the next shot, the order has magically changed.
Richard Gere didn’t like his character
Richard Gere has certainly gained from the success of *Pretty Woman*—both in his career and his bank account. But he hasn’t always been fully positive about the film, especially regarding his character, Edward. At a film festival in Venice, Gere described Edward as “criminally underwritten.” He added, “Basically, he’s just a suit and a good haircut.”
One scene in particular seemed to bother Gere, where Edward plays the piano while Vivian moves closer. Reflecting on it, Gere sarcastically said, “I mean, no chemistry. This actor and this actress obviously had no chemistry between them… I haven’t seen that in a long time. That’s a sexy scene.”
Director Garry Marshall came up with the idea for the scene after asking Gere what he usually did late at night in a hotel. Gere remembered, “I said, ‘Well, I’m usually jet lagged, so I’m up all night. Usually, there’s a ballroom or a bar, and I’ll find a piano and play it.’” Marshall then suggested, “Well, let’s do something with that.”
So, the scene was mostly improvised, with Gere explaining: “He said, ‘Play something moody.’ I just started playing something moody that reflected this character’s interior life.”
Then, just as mysteriously, the original lineup of condoms snaps back in the third shot. It’s as if the condoms were having their own little dance routine behind the scenes.
More than just onscreen lovers
If you ask me, the chemistry between Julia Roberts and Gere in *Pretty Woman* was undeniable. But the sparks didn’t just fly when the cameras were rolling — they formed a close bond off-screen too.
In 2017, Gere shared that he still talks to Roberts “all the time,” and back in the day, they would chat “three or four times a day.”
You could say it was love at first sight, in a friendly sort of way.
Even in a fairytale romance, things don’t always go as planned. Maybe that’s what makes this movie so charming and keeps us watching it again and again, year after year.
Did we miss your favorite *Pretty Woman* blooper? Share it with us and keep the fun going!
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