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Child star Mara Wilson, 37, left Hollywood after âMatildaâ as she was ânot cute anymoreâ

The world first fell in love with the endearing Mara Wilson in the early 1990s. She was a child actor best remembered for her roles as the bright young girl in beloved family films like Miracle on 34th Street and Mrs. Doubtfire.
The rising actress, who turned 37 on July 24, looked like she was ready for big things, but as she got older, she lost her âcuteâ factor and vanished from the big screen.
She continues, âIf youâre not cute anymore, if youâre not beautiful, then you are worthless. Hollywood was burned out on me.â
To find out what happened to Wilson, continue reading!
When five-year-old Mara Wilson played Robin Williamsâ youngest kid in Mrs. Doubtfire in 1993, she won over millions of fansâ hearts.
When the California native was invited to feature in one of the highest-grossing comedies in Hollywood history, she had already made appearances in advertisements.
âMy parents grounded me even though they were proud of me.â My mother would always tell me that Iâm just an actor if I ever stated something like, âIâm the greatest!â Wilson, who is now 37, remarked, âYouâre just a kid.â
Following her big screen premiere, she was cast in 1994âs Miracle on 34th Street as Susan Walker, the same character Natalie Wood had performed in 1947.
Wilson describes her audition as follows: âI read my lines for the production team and told them I didnât believe in Santa Clausâ in an essay for the Guardian. âBut I did believe in the tooth fairy and had named mine after Sally Field,â she writes, referring to the Oscar-winning performer who portrayed her mother in Mrs. Doubtfire.
âVery unhappyâ
Next, Wilson starred with Danny DeVito and his real-life wife Rhea Perlman in the 1996 film Matilda as the magical girl.
Additionally, Suzie, her mother, lost her fight against breast cancer in that same year.
âI wasnât really sure of my identity.I was two different people before and after that. Regarding her profound grief following her motherâs passing, Wilson explains, âShe was like this omnipresent thing in my life.ââI found it kind of overwhelming,â she continues. I mostly just wanted to be a typical child, especially in the wake of my motherâs passing.
The young girl claims that she was âthe most unhappyâ and that she was fatigued when she became âvery famous.â
She reluctantly took on her final significant role in the 2000 fantasy adventure movie Thomas and the Magic Railroad at the age of 11. âThe characters had too little age. I reacted viscerally to [the] writing at 11 years old.I thought, ugh. I love it, she says to the Guardian.
âDestroyedâ
Her decision to leave Hollywood wasnât the only one, though.
Wilson was going through puberty and growing out of the âcuteâ position as a young teenager, so the roles werenât coming in for him.
âJust another weird, nerdy, loud girl with bad hair and teeth, whose bra strap was always showing,â was how she was described.
âWhen I was thirteen, no one had complimented me on my appearance or called me cuteâat least not in a flattering way.â
Wilson had to cope with the demands of celebrity and the difficulties of becoming an adult in the public glare. It had a great influence on her, her shifting image.
âI had this Hollywood notion that you are worthless if you are not attractive or cute anymore. Because I connected that directly to my careerâs downfall. Rejection still hurts, even if I was kind of burned out on it and Hollywood was burned out on me.
Mara in the role of author
Wilson wrote her first book, âWhere Am I Now?,â before becoming a writer. âAncidental Fame and True Tales of Childhood,â published in 2016.
The book explores âher journey from accidental fame to relative (but happy) obscurity, covering everything from what she learned about sex on the set of Melrose Place, to discovering in adolescence that she was no longer âcuteâ enough for Hollywood.â
In addition, she penned the memoir âGood Girls Donât,â which explores her experiences living up to expectations as a young performer.
In her Guardian column, she states, âBeing cute just made me miserable.â It was always my expectation that I would give up acting, not the other way around.
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