It is replaced by a thin, metal object in the warm, inviting atmosphere of a 1970s living room with bright shag carpeting mixed with earth tones. Tucked away from the vinyl record sleeve, this simple curtain hook holds memories of carefree afternoons spent watching curtains billow in the soft wind from an open window. Despite its seeming simplicity, this object was essential to the fabric of family life.
Think back to a period when windows were dressed with their finest clothes, such as proudly hanging pleated drapes that framed the alluring appeal of city life or contented suburbia views. The curtain hook was a silent backstage worker that was frequently disregarded. Families laughed, wept, and fell in love in these spaces as a ballet of light and shadow was created by the fabric’s graceful folds and sleek design.
But as these commonplace objects are tucked away within the pages of a time that honored both the remarkable and the commonplace, it’s easy for them to disappear into the realm of recollections. The curtain hook, which was formerly ubiquitous, has been superseded by more contemporary devices. However, it is a subtle reminder of the fastidious attention to detail that was previously lavished upon our homes—a period in which the tiniest elements spoke a great deal about the homeowner’s taste and attention to detail.
Holding one of these curtain hooks in the present takes us back in time to a time when vinyl records provided the soundtrack for a fun-filled evening. For those who remember, it brings back fond memories, and for those who have never heard of its significance, it piques curiosity.
This tiny metal fragment is more than just an item; it is a thread woven into the fabric of a past way of life, softly capturing the spirit of a period when things were simpler and more important than they seemed.
Barry Manilow explains why he waited decades to come out as gay
During a guest appearance on HBO’s Who’s Talking to Chris Wallace, the 80-year-old Copacabana singer said he didn’t think it was important to announce his sexuality during the earlier decades of his career.
Manilow came out in 2017, almost three years after he married his husband and manager Garry Kief in a private ceremony. The couple have been together for 45 years now, though they’ve kept much of their relationship away from the public eye.
When he came out to People magazine in 2017, Manilow — whose real name is Barry Pincus — worried he’d be “disappointing” some of his fans by revealing his sexuality. Instead, Manilow, who was 73 at the time, said the reaction from his fanbase was “beautiful.”
Despite his current feelings of nonchalance about his own coming out, Manilow said announcing his sexuality as his career was booming would have been a bad idea.
“Now being gay is no big deal,” he explained. “Back in the ’70s it would have killed a career.”
Regardless, the usually very private Manilow said he thinks “everybody knew that Garry and I were a couple all those years.”
“Really, Garry and I’ve been together for so long,” he said. “It just never dawned on me that we’re going to come out. But when we got married, it was a big deal, so we did.”
Manilow credited Kief for saving his life. He said he is thankful he had Kief to support him as his music career was taking off, despite keeping their relationship under wraps.
“As my career exploded, it was just crazy. And, you know, going back to an empty hotel room, you can get into a lot of trouble if you’re alone night after night after night,” Manilow explained. “But I met Garry right around when it was exploding. And I didn’t have to go back to those empty hotel rooms. I had somebody to cry with or to celebrate with.”
Manilow said he did not wish an isolated hotel room for any young people.
“It was pretty lonely until I met Garry. And then it was fun,” he smiled.
Kief is not Manilow’s first spouse. In 1964, Manilow married his high school sweetheart, Susan Deixler. They were married for one year.
Manilow told CNN’s Wallace he “really did love” Deixler, but added “the gay thing was pretty, pretty strong. I couldn’t deny it.”
The singer said he knew he was gay before marrying Deixler, but their marriage ended because Manilow couldn’t be the committed husband his then-wife needed. He revealed that his sexuality was not the reason his marriage failed.
“We had a very nice marriage, it was great, but I was away every night making music, as a young musician would be,” Manilow described. “It wasn’t good for me, and it wasn’t good for her.”
“I couldn’t be the proper husband,” he continued. “I was out making music every night, sowing my wild oats. I wasn’t ready to settle down.”
Brooklyn-born Manilow skyrocketed to international fame in 1974 after his release of the ever-popular pop-rock ballad Mandy. He became one of the biggest-selling musicians of all time. Prior to his success as a singer-songwriter, Manilow was behind a number of famous commercial jingles for brands like State Farm and Band-Aid — a gig that he has said helped him create catchy hooks for his own hit songs.
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