Even though her latest album has been a big success, Beyoncé did not attend this year’s VMAs. Before the event, she shared some personal insights about her life as an artist, which might explain why she wasn’t there.
Many of the biggest stars in the music industry showed up for this year’s Video Music Awards (VMAs) in Elmont, New York. Celebrities dazzled in stunning outfits as they posed for photos. But one star missing from the spotlight was Beyoncé, even though she was nominated for three awards.
Beyoncé, known for her hit song “Countdown,” was nominated for **Song of the Year**, **Best Trending Video**, and **VMAs Most Iconic Performance**. The last two categories are fan-voted, allowing her supporters to have a direct influence on the outcome. Despite these nominations, she was notably absent from the event.
Beyoncé received two of her nominations—**Song of the Year** and **Best Trending Video**—for her hit song *”Texas Hold ‘Em,”* the lead single from her latest album *”Cowboy Carter.”* The album has been a global sensation, further cementing her influence in the music industry despite her absence from the VMAs.
Beyoncé’s third nomination, for **Most Iconic Performance**, was for her beloved classic *”Love on Top.”* Despite not having released official music videos for her latest album *”Cowboy Carter,”* she still managed to secure these impressive nominations, showcasing her enduring influence and the impact of her music.
Beyoncé did release an official lyric video for *”Texas Hold ‘Em.”* The video is simple yet striking, featuring bold red capitalized letters displaying the lyrics. The backdrop includes imagery of a building, barbed wire, and a satellite dish, adding a gritty, atmospheric feel to the song, even though there’s no full music video yet.
At the VMAs, *”Texas Hold ‘Em”* faced stiff competition, going up against other critically acclaimed songs by some of the biggest names in the entertainment industry. Despite the tough competition, Beyoncé’s track still managed to stand out, earning her nominations in key categories.
Beyoncé was in impressive company for the **Song of the Year** award, with fellow nominees including Taylor Swift and Post Malone for their song *”Fortnight,”* Kendrick Lamar for *”Not Like Us,”* Teddy Swims for *”Lose Control,”* Jack Harlow for *”Lovin On Me,”* and Sabrina Carpenter for her hit *”Espresso.”* These stars, each with their own critically acclaimed tracks, made the competition for the award especially fierce.
Although Beyoncé was not present to celebrate her nominations at this year’s VMAs, which were ultimately won by other artists, this isn’t the first time she’s missed the event. The last time she attended the VMAs was in 2016, making her absence this year less surprising to long-time fans.
Before the 2024 VMAs, Beyoncé gave an interview with *GQ*, where she opened up about her career and what it’s like being one of the biggest stars in the world. In the interview, she shared personal insights and reflections on her journey, offering fans a rare glimpse into the pressures and rewards of her life as a global icon.
During the interview, Beyoncé was asked about her **reputation as a perfectionist**, a trait often reflected in her exceptional work, including her songs and documentaries like *”Homecoming”* and *”Renaissance.”* She discussed how this drive for perfection influences her creative process and the high standards she sets for her projects.
Beyoncé was asked if her reputation for perfection ever feels like a burden, as if she’s trapped or carrying a heavy weight. She was probed about whether the pressure to maintain such high standards ever feels overwhelming.
In response, Beyoncé said, “Working on the music for *‘Cowboy Carter’* and launching this new project don’t feel like a prison or a burden at all. Actually, I only focus on what makes me feel free and inspired.”
Beyoncé did admit that fame can sometimes feel like a prison. She explained, “So, when you don’t see me on red carpets or when I take a break until I have new art to share, that’s why.”
The beloved singer, who once held the Guinness World Record for the most MTV Video Music Awards wins (30) between 2000 and 2021, also talked about her creative process. She emphasized that she works at her own pace and hopes that her music inspires listeners to reflect on themselves and develop their own resilience, strength, and creativity.
In the interview, Beyoncé shared, “I focus on storytelling, growth, and quality. I’m not concerned with perfectionism. My focus is on evolution, innovation, and changing perceptions.”
33 Thomas Street: The Mysterious 29-Story Windowless Skyscraper in New York. What’s it use for?
In the heart of Lower Manhattan, an unusual 29-story skyscraper, devoid of windows, stands tall and mysterious. Its code name is Titanpointe, and it is located at 33 Thomas Street. This building has baffled New Yorkers for years.
The building, constructed in 1974, was designed to withstand atomic blasts and was initially intended to house vital telecommunications equipment. It was envisioned as a communication nerve center, fortified against nuclear threats, by the architectural firm John Carl Warnecke & Associates.
This imposing structure, a gray tower of concrete and granite soaring 550 feet into the New York skyline, remains, unlike any other building in its vicinity. Unlike neighboring residential and office buildings, it does not have a single window and remains unilluminated. At night, it takes on an eerie presence, and by day it casts a giant shadow, its square vents emitting a faint hum, often drowned out by the city’s bustling sounds.
For decades, 33 Thomas Street, also nicknamed the “Long Lines Building,” has captured the imagination of New Yorkers as one of the city’s weirdest and most iconic skyscrapers. But the true purpose of this enigmatic structure has remained largely concealed, shrouded in secrecy.
The Secret Behind 33 Thomas Street
Beyond its enigmatic exterior, 33 Thomas Street conceals a deeper secret. This building appears to be more than just a telecommunications hub. Evidence from documents obtained by NSA whistleblower Edward Snowden, along with architectural plans and interviews with former AT&T employees, suggests that 33 Thomas Street served as an NSA surveillance site, code-named Titanpointe.
The NSA’s involvement goes beyond mere speculation. Inside the building, there’s a major international gateway switch that routes phone calls between the U.S. and countries worldwide. The NSA is believed to have tapped into these calls from a secure facility within the AT&T building. This covert surveillance program has targeted not only international organizations like the United Nations, the International Monetary Fund, and the World Bank but also numerous countries, including U.S. allies.
While AT&T has cooperated with the NSA on surveillance, few details have emerged about the specific role of facilities like 33 Thomas Street in carrying out top-secret programs. The Snowden documents, however, provide unprecedented insight into how NSA equipment has been integrated into AT&T’s network in New York City. This integration reveals the methods and technology employed by the agency to gather communications data from the company’s systems.
The NSA’s presence within this iconic skyscraper raises questions about the boundaries of surveillance in the modern world. As Elizabeth Goitein, co-director of the liberty and national security program at the Brennan Center for Justice, points out, “This is yet more proof that our communications service providers have become, whether willingly or unwillingly, an arm of the surveillance state.” The deep integration of the NSA within domestic communications infrastructure challenges the notion that such surveillance can be neatly confined to non-American targets.
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