Kathleen Turner rose to fame in the 1980s with her strength and attractiveness – many consider her one of the most beautiful actresses in Hollywood.
It is this fortitude that has helped her through the many goods and bad times the actress has experienced over the years.
Kathleen Turner was reared in a home with four other children despite having a difficult upbringing. She and her siblings were raised in both Venezuela and London. She experienced tragedy when, at a young age, her father passed tragically suddenly while mowing the lawn of their Hampstead house.
The foreign service expelled Kathleen and her family from the UK a month after his death. Turner moved her family to Springfield, Missouri, where everyone was still mourning their father and their former residence..
After relocating to New York to pursue an acting career as an adult, Tuner at last experienced calm. Although she had some success on the stage, her big break came when she was cast as the femme fatale in the 1981 film “Body Heat.”
Three years after starring next to William Hurt, Turner was given a chance to co-star with Michael Douglas in the famous “Romancing the Stone.” Douglas was in a rocky separation from his wife Diandra at the time of filming, and he and Turner developed some feelings for each other.
“We were in the process of falling in love – fervent, longing looks and heavy flirtation. Then Diandra came down and reminded me he was still married,” Kathleen said.
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She eventually married the property developer from the film, Jay Weiss, in 1984. The two had their only daughter together soon after. Rachel Ann Weiss was born on October 14, 1987.
Unfortunately, the couple’s relationship began to fracture as they started raising their daughter.
“I’d make the movie companies give me long weekends or provide extra tickets so my daughter and husband could come to me. But there was a sense in the marriage the effort was all on his side, which made me feel guilty. It was one of the reasons it ended. I started to feel very oppressed. I thought, ‘Hang on a minute, you’ve done very well out of being married to me also,’” Kathleen explained.
Their marital issues reached a breaking point when Turner played Martha in the Broadway revival of “Who’s Afraid of Virginia Woolf?” in 2005. Acting in eight performances a week caused Turner to become exceedingly busy, and it seemed Weiss didn’t want to spend any time with her when she was at home.
Turner received a Tony nomination for her performance as Martha during that period, and the two split peacefully.
In 1987, the actress received an Oscar nomination for her performance in “Peggy Sue Got Married.” In the 1980s, she continued to make movies and appeared in a number of blockbusters, three of which starring Michael Douglas.
Kathleen, however, suffered a medical setback in the 1990s when her neck locked, preventing her from turning her head. She also lost the ability to use her hands because of swelling in them.
“It was crippling,” Kathleen said. “You stop taking things for granted when you lose them, even temporarily. What I took for granted – my athleticism, my ability to throw myself around, and just be able to move however I wanted to. When I lost that, that was a real crisis of self: who am I if I cannot do this?”
Rheumatoid arthritis, which is defined by the swelling of the lining of our joints, turned out to be the cause of her unfortunate circumstances. Chronic pain brought on by this illness can be challenging to manage.
“When it was first diagnosed, I was terrified because they said I’d be in a wheelchair,” Kathleen explained. “I thought, ‘If I can’t move, I can’t act.’ Acting isn’t just what I want to do. I was born to do it. It’s at every point of my living. The idea of not being able to do it was the most frightening part – that and the constant pain.”
As a pain reliever, Kathleen used booze and medications. Although they made it easier for her to work, her propensity for consuming vodka caused her to pass out during dress rehearsals for plays like the 2002 theatrical production of “The Graduate.”
After the episode ended, the actress genuinely entered rehab, where it was discovered that she was not an alcoholic. She was instead instructed to just keep better note of when she took her prescriptions and any negative side effects.
The actress now practices yoga and pilates to help her manage her discomfort and stay flexible.
The celebrity started to truly concentrate on her theatrical profession while managing her pain better. Although she occasionally continued to work in cinema and television, she mostly went back to her origins as she got older, even starring in “Cat on a Hot Tin Roof” on stage in her forties.
“Because I knew that the better roles as I got older would be in theatre, which is absolutely true, so that was a little foresight on my part of which I am justly proud,” Kathleen said.
The actress has been able to devote more time to her passions by concentrating on the theater, including volunteering for Amnesty International and working for Planned Parenthood of America.
Turner has dedicated her life to supporting other women as a fervent feminist and has done so for the majority of her life. Send Yourself Roses, Gloria Feldt’s 2008 biography of the actress, accurately depicts her ideas.
“We are the first generation of women who are financially independent. Women are going back to work,” Kathleen said. “They’re reinventing themselves. I thought I could support that, even increase that. So it has got a lot of philosophy in it and a lot of my beliefs.”
I Invited My Friend Over, and His French-Speaking Skills Uncovered a Shocking Family Secret
When Chad’s French in-laws come over, he invites his friend, Nolan, along — to keep him company while Camille and her parents converse in French. While they have dinner, Chad discovers that Nolan understands French and reveals a family secret.
My wife, Camille, is as French as they come. We met at college when she was an exchange student studying International Politics, and we’ve been together ever since.
Camille’s parents live in France but visit us twice a year. I’ve learned a few odd words and phrases in French, but the language has yet to stick with me.
Other than mon chéri or various dishes from French cuisine, I don’t know much. Now, my in-laws are around, and it’s only been four days.
So, I decided to invite my friend, Nolan to have dinner and meet Camille’s parents. That way, I would also have someone to talk to.
Now imagine this:
We’re all sitting at the table, enjoying our bouillabaisse. Nolan and I talked about an audit at work, and Camille and her parents were happily chatting in French.
Everything seems fine, right? Wrong.
While mid-conversation about work, Nolan’s face goes as white as a ghost, and he nudges my arm firmly with his elbow.
“Go upstairs and check under your bed. Trust me,” he whispers urgently.
My first instinct was to laugh it off — it made no sense. But one look at his wide eyes told me that this wasn’t a joke.
“Excuse me,” I said to the table. “I’ll be right back.”
I reluctantly shuffled to my bedroom, feeling like I was stepping into some strange French noir film. I picked Camille’s silver silk robe off the floor and bent to look under the bed.
My heart was beating ridiculously fast like I was about to have a heart attack. But there it was — a lone black box.
I opened the box with shaky fingers, going through the contents quickly — I didn’t know if Camille would come looking for me. Then, toward the bottom of the box, was a series of photographs of Camille, wearing next to nothing.
My heart pounded harder and nausea rose through my body.
What have I just stumbled upon? I asked myself.
As I was about to put everything back, the world turned black.
It must have been hours later when I woke up in a hospital ward, surrounded by empty beds. The harsh light glared down on me as my eyes adjusted to the change of venue and the sharp smells of detergent.
“Woah,” I mumbled, my throat raw.
That’s when I noticed that Nolan was sitting next to me, his head propped up by his arm.
“You passed out in your bedroom, mate,” he said. “What happened?”
Then, it all came back to me. Camille’s box under the bed, my insatiable curiosity mixed with an overactive heart rate brought on by a panic attack.
But I did get a glimpse into the box. It turned out to be my own Pandora’s Box. There were incriminating photos of Camille, love letters to a man named Benoit, and little trinkets, all piecing together a tale of betrayal.
It turns out that Camille was hiding an affair.
“You were taking forever,” Nolan said. “So, I followed you, and I found you passed out on the floor. I closed the box and pushed it back under before calling Camille and an ambulance.”
“How did you know?” I asked, thinking about the warning Nolan had given me.
“I did French throughout high school, Chad,” he said. “While talking, I understood that Camille said something about hiding everything under the bed. I’m sorry.”
“Where’s Camille?” I asked.
“At the cafeteria, she said she needed to stretch her legs. So, she went to get coffee.”
I put my head back and thought of the letters that my wife had been receiving.
I got discharged the following day, and Nolan drove me home. Camille fussed over me, making me a healthy juice and ensuromg that I was okay. But of course I wasn’t. Nothing was okay.
That afternoon, I had to set the record straight. I couldn’t look at Camille and feel what I had felt before.
“I can’t continue in this marriage,” I said when Camille brought me a juice.
“What are you talking about?” she asked.
“I know about the black box under the bed.”
Camille turned pale.
“I can explain,” she said, jumping up.
“I saw more than enough, Cami. I don’t think your version of an explanation would change that.”
“Just listen,” she said. “My parents set up the meeting with Benoit. They wanted me to be with someone French — to have completely French children.”
I looked at her, wondering how she expected me to sit there and listen to more.
“So, after they arranged it,” she continued. “I met him. And we hit it off, and our friendship grew.”
“I want a divorce. Immediately,” I said, not wanting to listen to anything else.
Camille made a fuss, hurling accusations of me snooping and invading her privacy. She threatened not to sign the divorce papers when they came, but I told her that there was just no love left in our marriage after what she had done.
“Give me another chance,” she pleaded.
But I didn’t want any of it.
The divorce process lasted a few months, and Camille contested everything — from the house to spousal maintenance — and she even wanted me to pay for her tickets to France every year. I refused everything except the house. I didn’t want to be there anymore anyway. I’m living in a bachelor pad closer to my office now.
I’m heartbroken, sure. But at least now, I’m not living a lie. And that’s liberating.
I’m also grateful to Nolan for telling me the truth and staying by my side through the divorce.
Now, I wonder if Camille will end up with Benoit or not — I know her parents will love it if she does.
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