Jessica buys the house of her dreams, not knowing that hidden within its walls are letters that will change her life. These letters reveal the story of her missing sister, Meredith, whom Jessica hasn’t seen in eleven years. Desperate to reconnect, Jessica sets out on a journey, hoping for a new beginning.
Jessica stood in the middle of her new living room, surrounded by stacks of boxes and mismatched furniture. The movers had done their job, but the house felt empty and chaotic. She took a deep breath, feeling a swell of pride.
This was her house, bought with her own money. For the first time, she had done something entirely on her own, without relying on her parents.
Her parents, Ashley and Scott, were wealthy and had always pressured her and her younger sister, Meredith, to “live up to their status.”
Throughout their childhood and teenage years, they were only allowed to associate with children from other wealthy families. Jessica had always felt confined by these rules, but she obeyed them. Meredith was different.
Meredith detested their parents’ wealth and the restrictions that came with it. She never acknowledged the money, insisting it was their parents’, not hers. She constantly rebelled against their rules and expectations.
When she was 17, she ran away with a boy from a poor family, a relationship their parents had adamantly opposed. That was sixteen years ago, and Jessica hadn’t heard from her since.
Jessica was different from her sister; she had never defied their parents. But buying this house was her first act of rebellion.
She had refused their money for the purchase, wanting them to know it was hers and hers alone. The house was small, but it was hers.
She opened one of the boxes and pulled out a photograph of herself and Meredith as children. They were smiling, arms wrapped around each other.
Jessica felt a pang of regret. “I barely speak to them now. I regret not having the chance to talk to you all this time.”
Meredith looked up, her eyes softening. “I felt the same way. But they were so against my relationship with Diego. And now we’re married and have this wonderful son. I wouldn’t change a thing, even if I could.”
Jessica’s eyes filled with tears. “I’m so sorry I wasn’t there when you lost your baby. I should have been there for you.”
Meredith’s face softened with a sad smile. “I missed having your support during that time. It was hard, but we got through it.”
They sat in silence for a few moments, the weight of the past settling around them. Then Meredith broke the silence. “But now you have the chance to be a part of your nephew’s life. He could use a cool aunt.”
With her blond hair & blue eyes, she was making waves in Hollywood – but look at her now
Kathleen Turner rose to fame in the 1980s with her strength and attractiveness – many consider her one of the most beautiful actresses in Hollywood.
It is this fortitude that has helped her through the many goods and bad times the actress has experienced over the years.
Kathleen Turner was reared in a home with four other children despite having a difficult upbringing. She and her siblings were raised in both Venezuela and London. She experienced tragedy when, at a young age, her father passed tragically suddenly while mowing the lawn of their Hampstead house.
The foreign service expelled Kathleen and her family from the UK a month after his death. Turner moved her family to Springfield, Missouri, where everyone was still mourning their father and their former residence..
After relocating to New York to pursue an acting career as an adult, Tuner at last experienced calm. Although she had some success on the stage, her big break came when she was cast as the femme fatale in the 1981 film “Body Heat.”
Three years after starring next to William Hurt, Turner was given a chance to co-star with Michael Douglas in the famous “Romancing the Stone.” Douglas was in a rocky separation from his wife Diandra at the time of filming, and he and Turner developed some feelings for each other.
“We were in the process of falling in love – fervent, longing looks and heavy flirtation. Then Diandra came down and reminded me he was still married,” Kathleen said.
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She eventually married the property developer from the film, Jay Weiss, in 1984. The two had their only daughter together soon after. Rachel Ann Weiss was born on October 14, 1987.
Unfortunately, the couple’s relationship began to fracture as they started raising their daughter.
“I’d make the movie companies give me long weekends or provide extra tickets so my daughter and husband could come to me. But there was a sense in the marriage the effort was all on his side, which made me feel guilty. It was one of the reasons it ended. I started to feel very oppressed. I thought, ‘Hang on a minute, you’ve done very well out of being married to me also,’” Kathleen explained.
Their marital issues reached a breaking point when Turner played Martha in the Broadway revival of “Who’s Afraid of Virginia Woolf?” in 2005. Acting in eight performances a week caused Turner to become exceedingly busy, and it seemed Weiss didn’t want to spend any time with her when she was at home.
Turner received a Tony nomination for her performance as Martha during that period, and the two split peacefully.
In 1987, the actress received an Oscar nomination for her performance in “Peggy Sue Got Married.” In the 1980s, she continued to make movies and appeared in a number of blockbusters, three of which starring Michael Douglas.
Kathleen, however, suffered a medical setback in the 1990s when her neck locked, preventing her from turning her head. She also lost the ability to use her hands because of swelling in them.
“It was crippling,” Kathleen said. “You stop taking things for granted when you lose them, even temporarily. What I took for granted – my athleticism, my ability to throw myself around, and just be able to move however I wanted to. When I lost that, that was a real crisis of self: who am I if I cannot do this?”
Rheumatoid arthritis, which is defined by the swelling of the lining of our joints, turned out to be the cause of her unfortunate circumstances. Chronic pain brought on by this illness can be challenging to manage.
“When it was first diagnosed, I was terrified because they said I’d be in a wheelchair,” Kathleen explained. “I thought, ‘If I can’t move, I can’t act.’ Acting isn’t just what I want to do. I was born to do it. It’s at every point of my living. The idea of not being able to do it was the most frightening part – that and the constant pain.”
As a pain reliever, Kathleen used booze and medications. Although they made it easier for her to work, her propensity for consuming vodka caused her to pass out during dress rehearsals for plays like the 2002 theatrical production of “The Graduate.”
After the episode ended, the actress genuinely entered rehab, where it was discovered that she was not an alcoholic. She was instead instructed to just keep better note of when she took her prescriptions and any negative side effects.
The actress now practices yoga and pilates to help her manage her discomfort and stay flexible.
The celebrity started to truly concentrate on her theatrical profession while managing her pain better. Although she occasionally continued to work in cinema and television, she mostly went back to her origins as she got older, even starring in “Cat on a Hot Tin Roof” on stage in her forties.
“Because I knew that the better roles as I got older would be in theatre, which is absolutely true, so that was a little foresight on my part of which I am justly proud,” Kathleen said.
The actress has been able to devote more time to her passions by concentrating on the theater, including volunteering for Amnesty International and working for Planned Parenthood of America.
Turner has dedicated her life to supporting other women as a fervent feminist and has done so for the majority of her life. Send Yourself Roses, Gloria Feldt’s 2008 biography of the actress, accurately depicts her ideas.
“We are the first generation of women who are financially independent. Women are going back to work,” Kathleen said. “They’re reinventing themselves. I thought I could support that, even increase that. So it has got a lot of philosophy in it and a lot of my beliefs.”
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